Memorial Day (All Movies, 4-Day, Fri-Mon) Memorial Day (All Movies, 3-Day, Inflation Adjusted) Studios, Burbank, CA, Filmed in Burbank, CAĬolumbia Pictures, Marvel Studios, Laura Ziskin Productions November 1st, 2002 by Sony Pictures Home Entertainmentĭeath of Other Extended Family, Visual Effects, Marvel Comics, Hallucinations, Mental Illness, Split Personality, Filmed in Sony Pictures Studios, Culver City, CA, Filmed in Culver City, CA, Filmed in Los Angeles County, CA, Filmed in California, United States, Filmed in United States, Filmed in Downey, CA, Filmed in The Natural History Museum of Los Angeles County, Los Angeles, CA, Filmed in Queens, New York, NY, Filmed in New York, United States, Filmed in New York, NY, Filmed in Columbia University, New York, NY, Filmed in New York Public Library, New York, NY, Filmed in Moondance Diner, New York, NY, Filmed in Dorsey High School, Los Angeles, CA, Filmed in Tudor City, New York, NY, Filmed in Greystone Mansion, Beverly Hills, CA, Filmed in Beverly Hills, CA, Filmed in Flatiron Building, New York, NY, Filmed in Pacific Electric Building, Los Angeles, CA, Filmed in Rockefeller Center, New York, NY, Filmed in Queensboro Bridge, New York, NY, Filmed in Bellflower, CA, Filmed in Times Square, New York, NY, Filmed in Downtown Los Angeles, CA, Filmed in Warner Bros. See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records. We can’t all stop a speeding train, but we can run into a burning building, or at the very least honor those who have.All Time International Box Office (Rank 101-200)Īll Time Domestic Box Office for Super Hero MoviesĪll Time International Box Office for Super Hero MoviesĪll Time Worldwide Box Office for Super Hero Movies Spider-Man 2 underlines the idea that while his powers are superhuman, his bravery and his determination are not. What defines him is that he is both.ĭecades of adventures have taken Spider-Man to the far corners of the galaxy and the space-time continuum, but he’s a character fundamentally rooted in the everyday-the only superhero who owes his existence to a high school field trip. It’s a reminder that the dilemma Peter has been wrestling with for the entire movie, the choice between whether to be an ordinary person or a hero, is a false one.
But the riders’ willingness to sacrifice themselves isn’t just a symbolic gesture. This is a superhero movie, after all, and it ultimately falls to the hero to save the day. “And me.” It’s funny how the years since I’d seen Spider-Man 2 had edited what happens next out of my memory: Doctor Octopus smirks, says “Very well,” and shoves them aside as if they were nothing. “You want to get to him, you gotta go through me,” one beefy man says as he steps into harm’s way. But instead of looking on in fear, the subway riders step between the supervillain and his prey. That realization is put into practice in the very next instant, as Doctor Octopus returns to take on his now-depleted adversary.
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The audience knows that Spider-Man can’t die, of course, but for a moment the movie lingers on what it would feel like to learn that the hero you’ve admired from afar is someone just like you-and that you, in turn, can be like him. What’s Fact and What’s Fiction in King RichardĪn Exhaustive List of Every Broadway Cameo in Tick, Tick … Boom!Ĭould Taylor Swift Have Written “F- the Patriarchy” a Decade Ago? Metal screams as the front of the car begins to collapse until it eventually grinds to a halt-and the instant it does, Peter Parker, utterly spent, collapses and starts sliding to the ground several stories below.
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Peter, who removes his mask because of an errant spark in the eye, splays himself in front of the train car and takes the full force of its forward motion into his body, his outstretched arms bulging as the webs he’s attached to nearby buildings pull impossibly tight. Doc Ock sabotages the controls so that the train starts hurtling towards the end of the line with no way to slow it down, and though Spider-Man eventually manages to stop it, it takes a tremendous physical toll.
Eventually, his opponent realizes that Spider-Man’s Achilles’ heel is his need to protect others. Spider-Man’s fight with Doctor Octopus (Alfred Molina), the movie’s villain, takes him around, inside, and through the subway’s cars as frightened commuters look on helplessly. The peak of Spider-Man 2 comes not at its climax but in the sequence that precedes it, the battle on an elevated subway train which has justly been called the greatest action scene in the history of superhero movies. Underneath that is a more profound and unresolvable question: What does it mean to be a hero in a world where tragedy happens no matter what you do?
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